2017 was also pretty much a year of testing techniques and discovering new perspectives. I spend a lot of time to find out how create new perspectives with copters under various circumstances on water. The most recent copters are a perfectly stabilized platform and this has some potentials for new visuals. The successful Mirabaud 2017 shot is likely one of the best examples. The platforms are however also perfectly useable as a stabilized platform for filming slow motions on water. I was testing some footage in summer 2016 for Slomo shootings but could not really find how to get stabilized sequences. A copter has not the capabilities to do tele kind of action shots but wide angle slomos come out nicely with the 120fps on 1080p footage recording. Its clearly compressed footage at 100Mbit bitrate and the sensors is also not a high iso wizard but somehow its easy to generate footage that reveals new structures and it should be possible to also get precise Slomos from fast paced sailing maneuvers.
Here a cut from summer 2017 where we spend some weeks in Scandinavia at the coast of West-Sweden and Skagen.
Likely best viewed when all the stress is over these days and with a single malt at hand at late night contemplations :)